Get ready for a fashion frenzy like no other—Paris Fashion Week Men’s Fall/Winter 2026 and Couture Week are here, and they’re packed with moments that will leave you breathless. But here’s where it gets controversial: Is this season a celebration of innovation or a farewell to fashion’s legends? Let’s dive in.
This year’s lineup is a rollercoaster of emotions, blending fresh talent with bittersweet goodbyes. And this is the part most people miss: It’s not just about the clothes—it’s about the stories behind them. Dior’s Jonathan Anderson and Dries Van Noten’s Julian Klausner are back with their second men’s collections, proving their mettle in the industry. Meanwhile, Hermès bids adieu to Véronique Nichanian, who steps down after 37 years, leaving behind a legacy that’s hard to match. Her final collection? A must-see.
Kicking off the week is Louis Vuitton, with Pharrell Williams at the helm of the men’s line. Bold move or safe bet? You decide. Day one also shines a spotlight on Japanese label Auralee, whose designer Ryota Iwai was crowned one of fashion’s ‘Most Underrated Designers’ by Vogue Runway readers. Jeanne Friot makes her official calendar debut, while Saudi label KML takes over the Institut du Monde Arabe. Don’t miss Meta Campania Collective’s presentation on the Left Bank—it’s a hidden gem.
Day two is Dior’s moment, but Kenzo steals the show with a unique twist. Instead of a traditional runway, they’re unveiling their collection inside Kenzo Takada’s Parisian home—a symbolic homecoming. Is this the future of fashion presentations? Later, Jaden Smith, Christian Louboutin’s first men’s creative director, debuts his collection. Acne Studios doubles down with a presentation and an exhibition at Acne Paper Palais Royal, showcasing Jordan Hemingway’s photography.
Paradis takes center stage on January 21, fresh off its founder Emeric Tchatchoua being honored as Chevalier de l’Ordre des Arts et Lettres. KidSuper’s Colm Dillane closes the day with a book signing at Cravan. But here’s the question: Are these accolades elevating fashion or overshadowing the designs themselves?
Thursday is a powerhouse day, featuring Issey Miyake, Rick Owens, Yohji Yamamoto, and Dries Van Noten. Camperlab’s show marks the final bow for creative director Achilles Ion Gabriel, while Californian brand ERL makes its Paris debut. Controversial take: Are these big names resting on their laurels, or are they still pushing boundaries?
Weekend highlights include Kiko Kostadinov’s 10-year anniversary, Magliano’s rise after winning LVMH’s Karl Lagerfeld Prize, and Véronique Nichanian’s Hermès swansong. Patou goes off-schedule on January 25, while Jacquemus presents his co-ed collection, Le Palmier, at the Picasso Museum. Is this the perfect blend of art and fashion, or just a gimmick?
Couture Week follows, with 29 houses showcasing their masterpieces. Jonathan Anderson’s first couture show for Dior and Matthieu Blazy’s debut at Chanel are unmissable. Giorgio Armani Privé, now led by Silvana Armani, honors the late maestro’s legacy. But here’s the debate: Can these new leaders live up to the icons they’re replacing?
Off the runway, Roger Vivier’s Pièce Unique collection, Sotheby’s auction of Doris Brynner’s collection, and Christie’s sale of Mathilde Favier’s belongings add to the glamour. Final thought: Is Paris Fashion Week still the pinnacle of fashion, or is it becoming a museum of its own history? Let us know in the comments—we’re all ears!
